Thursday, November 8, 2012

Soulpepper Theatre's 2013 Season Announcement



Soulpepper Theatre has announced its playbill for 2013. The roster includes some returning favourites like Alligator Pie, Kim's Convenience and Parfumerie, and new work – including an intriguing adaptation of The Barber of Seville, to be directed by Martha Ross.   Two sets of linked plays will be produced over the summer and late fall, and they could hardly be more different in tone: Tony Kushner's deeply affecting Angels in America, and Alan Ayckbourn's lighthearted farcical trilogy The Norman Conquests.
  • February 7 to March 2: Rosencrantz and Guildenstern are Dead by Tom Stoppard
  • March 25 to May 4: True West by Sam Shepherd
  • March 26 to May 4: La Ronde by Arthur Schnitlzer, adapted by Jason Sherman
  • May 9 to June 8: The Barber of Seville by Pierre Beaumarchais and Gioachino Rossinni, adapted by Michael O'Brien and John Millard
  • May 23 to June 19: Kim's Convenience by Ins Choi
  • July 5 to August 17: Entertaining Mr. Sloane by Joe Orton
  • July 6 to August 17: Great Expectations by Charles Dickens, adapted by Michael Shamata
  • July 19 to September 14: Angels in America: A Gay Fantasia on National Themes, Part One: Millennium Approaches by Tony Kushner
  • July 20 to September 14: : Angels in America: A Gay Fantasia on National Themes, Part Two: Perestroika by Tony Kushner
  • September 27 to November 16: The Norman Conquests: Table Manners by Alan Ayckbourn
  • September 28 to November 16: The Norman Conquests: Living Together by Alan Ayckbourn
  • September 28 to November 16: The Norman Conquests: Round and Round the Garden by Alan Ayckbourn
  • October 11 to November 9: Farther West by John Murrell
  • November 3 to December 1: Alligator Pie by Dennis Lee, adapt Ins Choi, Raquel Duffy, Ken Mackenzie, Gregory Priest & Mike Ross
  • November 27 to December 21: Parfumerie by Miklós László, adapt. Adam Pettle & Brenda Robins
Photo credit: Jason Hudson. Raquel Duffy, Ins Choi, Mike Ross and Ken MacKenzie in Alligator Pie

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